Hardcore book porn
Trying to figure out how bitchy I’m allowed to be at this stage in my life.
“You’ll find our hearts not on our sleeves, but in the spines of our books.”
(via imagineaprils)
As ruínas dum palácio abandonado.
(via chachoupie)
from EurActiv
from InternetActu.net
from Slashdot
All of these link you to a post on my blog, but there will be another link in that post which will link you to the recipe or just click on the picture!
Breakfast
OATMEAL/OATS
Baked Banana, Blueberry and Raisin Oatmeal
Baked Raspberry-Banana-Almond Butter Oatmeal
Creamy Oatmeal with Banana Nut Topping
Various Overnight Oats Recipes
Various Overnight Oats Recipes 2
PANCAKES
Apple Cinnamon Protein Pancakes
Flourless Coconut and Banana Pancakes
Pancakes in a Jar (not a recipe)
OTHER
Avocado and Egg Breakfast Pizza
Blueberry Coconut Pecan Breakfast Cookies
Butternut Squash and Chicken Mash
Cocoa Banana Breakfast Quinoa With Walnuts
No Added Sugar Granola (Vegan, Gluten-free, can be Nut-free)
Olive Oil Poached Eggs on Avocado and Braised Kale Toast
Peanut Butter and Banana Yoghurt
Raw Sprouted Buckwheat Granola
Red Pepper and Baked Egg Galette
Sponge Omelette with Yoghurt and Blueberries
(via fitnessgyro)
London in 1927 — Incredible colour footage of 1920s London shot by an early British pioneer of film named Claude Friese-Greene, who made a series of travelogues using the colour process his father William - a noted cinematographer - was experimenting with. It’s like a beautifully dusty old postcard you’d find in a junk store, but moving. Music by Jonquil and Yann Tiersen. The lovely people at the BFI have got in touch and it turns out the film was made in 1926. They have lots of other footage from his film, The Open Road on their YouTube channel up here http://bit.ly/1920sEngland. More background on this here http://bit.ly/1077PVK.
SWARTE
works by Romanian duo SWARTE: Corina Olaru and Manuela Vulpescu - “Swarte is an open source of imagination which transforms contemporary topics into fine art. While generating feelings, we are trying to connect the world to a large amount of ideas and visions, which are supposed to make people reconsider themselves – this time in a colorful, provocative and intriguing manner. As we are creating stories about the day of tomorrow we believe that one can indulge himself to recognize his own core in one of our works and see it as an eclectic prolongation of his inner thoughts.”
(via magickwithoutcorpus)